This lens is a made in Japan M4/3 manual around 2010. So, it should not have such an amazing effect just like a full frame F0.95 lens, but it still gives me a unique experience. The lens is built of metal, exquisitely crafted, focus ring and aperture ring very smooth. It came together with a huge metal hood.
这是一只2010前后日本生产的M4/3手动镜头，因此等效折算后理论上得不到全画幅F0.95镜头那么惊艳的效果，但是仍带给了我前所未有的体验。镜头本身全金属结构，做工精细，对焦和光圈环顺滑，遮光罩也是全金属，巨大。
Resolution in full open is low, the photo has a unique blur like atmosphere. Just stopping down a little to F1.4 can improve a lot; the special atmosphere also disappears. F2.0-4.0 will provide a balance between fast shutter and image quality. The best image quality is between F5.6 to F8.0, stop down there, it probably has the best sharpness and color among all M4/3 lenses I have ever used.
光圈全开分辨率明显较低，且有一种朦胧的氛围，稍微收到F1.4就能显著提升，画面氛围回归正常，收到F2.0-4.0之间的画质已经十分可用，属于大光圈和画质的平衡点。最佳画质在F5.6-8.0之间，可能拥有我用过M4/3系统镜头里几乎最好的分辨率和色彩。
This photo from the street can help you to understand the atmosphere under F0.95, low resolution yes, but quite unique. At mean time, it allows you have a fast shutter speed and low ISO at night.
用一张街拍图片帮助体会F0.95光圈下的迷幻氛围，可以看出分辨率较低，但是确实画质很独特。同时，这一光圈允许用很低的ISO在夜间拍摄。
Although it equivalents to 50mm F1.8 full
frame lens, but M4/3 system has a super close focus distance, as a result,
there is an exaggerated bokeh when you focus on some very close item. There
will be only a few millimeters of depth of view.
虽然等效焦距/光圈也就是全画幅50mm F1.8的水平，但得益于M4/3画幅很近的对焦距离，能够拍摄出极其夸张的虚化，整个景深就是几毫米。
F5.6 is perfect for some close-up flower or
plant photo, it can show a great amount of detail, all sample photos shot on
Panasonic G9II.
光圈收到5.6左右，十分适合拍摄花卉植物的特写，能够完美体现所有细节，下面是几张样片，都是使用松下G9II拍摄。
F5.6-F8.0 also provides great ability for
landscape photography, smaller aperture generated beautiful starburst, also shot
on Panasonic G9II.
光圈5.6-8.0用于拍摄风景效果同样完美，小光圈的星芒在我看来也很好看，下面样片也是使用松下G9II拍摄。
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